Sonic Arrangements in the Infinite Fill, performance with sound piece 
Void Gallery Derry 2019
In collaboration with Echo Echo Dance company; dancers Kelly Quigley and Zoe Ramsey

Sonic Arrangements in the Infinite Fill was a site-specific performance on the Derry Walls’ Walker Plinth in collaboration with Echo Echo Dance Theatre. Sound, movement and costume combined to explore the dualism of repelling and attracting, taking the transformation of the city walls from defensive architecture to tourist attraction as the starting point.

The dancers took gestural direction from a sound piece, synthesised from my ongoing series of ceramic bell idols. Like the walls, bells also repel and attract, worn to fend off evil spirits and simultaneously denote the time of worship therefore bringing people to them. The bells are based on 7th-6th century BC goddess idols which signifying the forces of nature and the onward march of time. Inspired by the bell idol’s freely moveable legs, the dancers choreography is agile and powerful, taking advantage of all the potential manoeuvres of the spine and legs creating curves, spirals, twists, ripples, knotting together and pushing apart, their costumes inspired by amour and bell shaped forms.

The performance finished on the Walker plinth which was the base for a neo-classical column that once stretched up into the sky. Columns and bell towers are architectural forms designed to lift us up, to the passage between the worlds, to link us to the notion of what is beyond. The plinth’s now absent column, makes the space between land and the universe available to fill with a new ritual linking the body to the limitless sky.  

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Sonic Arrangements in the Infinite Fill, mp3, 2019. full duration 20mins 

audio synthesised from handmade bells.